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Ken Bruen, Cross

£70.00 £65.00

Bruen is a highly-rated writer of hardboiled private eye books. This is a Jack Taylor PI story, being one of only 77 numbered and signed copies in a special binding with an appreciation by Denise Mina and Michael Johnson.

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BruenKen Bruen was born in Galway, Eire and has a growing following in noir crime circles with followers of British writers such as Derek Raymond and David Peace or Americans such as Lawrence Block and the heirs to pulp fiction.  Yet although we have the structure of the private eye story Bruen is inclined to a diverse range of literary influences from the Beats to some of the Parisian modernists.  His books were for years published only in paperback by an Irish publisher and it was through word of mouth that he began to gain recognition. He has produced a London noir series  and the Jack Taylor series beginning with The Guards set in Galway.  This series has regularly been nominated for awards in the USA and London Boulevard was released as a film starring Anna Friel. The Taylor books also use the form of the detective novel to say something about life in Eire about its direction, where it messed up and importantly that it needs to get back on track.

In Cross (2007) the dark is layered on the light – for instance, a contact tells PI Jack Taylor that a boy has been found crucified; then in another strand of Jack’s caseload he pays attention to the dog that has gone missing. These is stark stuff and sinks in deep. Jack is always on the move asking questions – meeting all kinds of people.  And all the while he has his own trouble, not least because Galway is being forced to confront the modern world.

This book was issued in 2007 and is one of 77 numbered and signed copies win a special binding, with an appreciation by Scottish writer Denise Mina and Scorpion Press publisher Michael Johnson.

4.50 out of 5

2 reviews for Ken Bruen, Cross

  1. 4 out of 5

    Rating by “Publishers Weekly” and “Booklist” on April 11, 2012 :

    “His insights into pain, loss and Irishness are unforgettable.”
    —Publishers Weekly (starred review)

    “An amazing portrait of a peculiarly Irish form of despair, and nary a page passes without a memorably mordant laugh, a wonderful turn of phrase, or an aphorism that any crime fan will want to share with another devotee.”
    —Booklist (starred review)

  2. 5 out of 5

    Rating by Karen Chisholm on eurocrime on June 4, 2012 :

    Jack Taylor is changing. Shattered by the shooting of Cody, the young man who came to him for a chance, Jack feels for Cody like a man would for his natural son. Cody is comatose in hospital and even though he didn’t pull the trigger, Jack feels responsible for Cody’s fate. This has given him a real reason and he’s given up drinking, smoking and drugs. Jack’s not pretending – it’s hard, and he’s not found an exactly “normal” way of resisting a drink, but he’s serious and he’s really trying.

    As usual with Jack he’s pulled into strange events and strange places. A young boy was crucified in Galway City and despite everyone’s shock and horror, despite the Church being scandalised and vocal, no action is ever taken by the Guards. His old friend Ridge comes to him to ask him to investigate – she can’t live with the idea that nothing is being done about this boy, and when his sister is burned alive, Jack’s not able to leave well enough alone as well.

    There’s something about Jack that makes stuff happen around him, and the main theme, the murder of this young brother and sister, is only part of what is going on in Jack’s life. As he roams Galway on the case, he finds himself in his old haunts, rubbing up against old combatants and associates, glimpses of his old life and the starkness of a sober future in less than sober circumstances. The ghosts of Jack’s past are never adverse to giving a good scaring or an even bigger beating.

    Finding the answer to who kills so horribly isn’t so hard. Deciding what to do about it isn’t so easy. Choosing his own future is even harder.

    CROSS continues many of the storylines that started out in PRIEST. Reading PRIEST first will give you a little context to what is happening with Jack Taylor, but if you haven’t read it, then don’t use that as a reason not to pick up CROSS.

    Ken Bruen’s books are not the easiest reading in the world – they are confrontational, Jack has a self-destructive streak which can be frustrating and the world that he comes from is bleak and violent, inhabited by some damaged and brutal people. But there is also kindness, friendship, care and concern for others. There’s brutal reality.

    Ken Bruen’s books are, however, fantastic reading and CROSS raises that tradition just that little bit higher. I cannot recommend this series highly enough – if you like stark reality, if you can handle one man making his own decisions about his own life, contrary to what everybody else thinks he should do (including the reader), then do yourself a favour and read CROSS. Karen Chisholm, Eurocrime

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